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STREET JAM


This Saturday is the street jam in Castellon , not miss it!

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CS Cuts Water Jump in! One week in Bcn

One day we went to Cortes de Pallas to jump into the water with the bike: D

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a skater. AN ANGEL






READ WELL BEFORE.

MATERIAL USED FOR THE SKATER.


This is a list of all known materials and are almost always used:

- Scissors, needle, pins, thread machine, thimble, stuffing, pearl ball DMC # 8 dark brown.
This is another list of tools.
- A white pencil, pen water, gold wire, a wire cutting curling iron, a curling head round brown acrylic paint, white glue, brush.
Fabrics:
- Solid color patch in meat, red felt, navy, black and bottle green.

Note: the skater is 80% of the original.

BEGIN:

1 - With a soft pencil or pen to copy the outline of the water pattern on a layer of fabric. It copies only the outline. The opening to turn the piece is located across the base, remember that this part does not sew. Has no arms, therefore, no opening. We cut the pattern by the neck to give a little more range and do not pull the piece by that party to give back.

2 - then you must copy the outline and facial features in another layer of fabric. It is advisable to use a pen or pencil soft water. Spend very soft pencil.

3 - Now are matched exactly, especially the part corresponding to the head and face, the outline that we have passed to a layer of fabric and contour to the features that we have drawn on another piece of cloth . With pins to make sure it does not move and put the padding back to the sandwich.

4 - Before we can remove the pins to baste it is easier to sew the machining contour. We have placed the pickets to be given after cutting the outline right in the neck (see photo).

5 - This figure will be cut after the contour along the lines of stitching, after removing the padding and margin to the pickets below the neck and around the head.

6 - We looked the part, taking it all seams to the back of a hook and fill it starting slightly mind. We put very little filler and finally becoming close the opening with a stitching machine. Finish off well.

7 - Now we start to paint the face. The brush is the triple zero, as always, and painting that we will use is a brown acrylic.
We painted the outlines of a pull and the following order: Pupil, upper eyelid, eyebrows, nose, mouth and freckles. When everything has dried it is water disappear pen. Lastly
apply blush.

8 - Now we will make the pants, jacket and scarf. Pants passed the bottle green felt putting double layer using a light pencil. Machine-sewn with a small stitch along the line it has set. Finish well at the beginning and end of sewing. In the next picture is that parties have to sew and parties are also referred to the picket lines to do after cutting his pants.

9 - The same explanations apply to pants to the jacket. These two points are carried forward in reference to sew two buttons. The photo below shows the pickets and parts to be sewn. We have
a couple of changes to the original pattern: the opening to get his head is a little bigger than the original and have gotten a little stitching on both sides to attach by the jacket is over, but that, as always, Your choice.

A jacket you have to sew two buttons on the color you like.

10 - We have prepared the cardboard soaked in fixing hair spray strong. When drying iron very well and with a white painting draws the outline of two boots and two gloves. We cut out the parts in the line very well have done.

11 - The scarf the red felt cut off, 1.5 cm wide and long that you enjoy yourselves. Eventually cut the fringe.

12 - dress the skater, we put the pants and attached to the body by stitching.

13 - When we have finished sewing the pants at the waist, we put a bit of stuffing the pant legs.

14 - Now we have to make the leaves of the skates.
skates we used to wire is very ductile and easy cutting.
started with a simple loop at one end ...

... and we help of your thumb and forefinger to rotate the wire. With a spin and a half is enough ...

... cut to length and finished with a small curve at the other end of the wire.

15 - White-tailed impregnate the Boot tab.

16 - We put the shoe between the flange and the boot and press with fingers to set the glue. We repeat this operation on the other boot.

17 - to stick the boot to the pants glue is applied to both sides of the boot and on both sides of the pants, you enter the boot in the pants and pressed with fingers. Repeat the same procedure for the other leg.

18 - To set the mouth glove-sleeve jacket repeats the operation done previously with the boot.

19 - He tied the scarf and you're done.

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Registration is in advance by mail:
encuentrotextil@hotmail.com
or by phone:
Belén Gómez (011) 4743-2734 / 15 54699450
Alejandra Deppe (011) 4740-2577 / 15 62486451
sending the following information:
Name - Address - Phone - E-mail- Workshop in which you participate and / or craft fair (craft show)
WORKSHOPS


Workshops are 6 hours each.
can make two different shifts.
Cost per workshop $ 120 ($ 90 fee prior to September 24)
Cost for two workshops $ 200 ($ 170 prepaid, until 24 September)

WORKSHOP FOR CHILDREN Registration in place
Cost including materials: $ 30 per two-hour workshop

CRAFT FAIR
(Places limited. $ 75 both days)

REGULATION OF THE SHOW:
Participation is by prior registration
The fair is within the environment Meeting of Textile Art and was stopped only is if it rains
Registration is $ 75 after two days
are provided: as seat and a space craft leaving an overnight
artisans reception will be held Saturday from 10 am.
The fair is open Saturday and Sunday from 11 to 19.30 pm
The organization of the meeting is entitled to:
Assign the location of each craftsman. Check
the authenticity of the works on display.
Reserve the right to refuse admission and / or membership of artisans at the fair.

EXCHANGE LISTINGS (Free and Free)
A diffusion space for activities related to textiles that each one develops.
can take flyers to advertise classes, workshops, micro-enterprises, materials and accessories related to the field handmade textiles.
The organization of the meeting is entitled to:
Check the authenticity and the type of information exposed.
Reserve the right to publish and / or retention of information.

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SATURDAY 2: 9.30 am
ENTERTAINMENT AND ACCREDITATION

ASSEMBLY MEETING PRESENTATION OF THE CRAFT FAIR
CARD ASSEMBLY OF EXCHANGE

10.00 am WORKSHOPS
Kumihimo (Mirta Bagnone)
Warps Staple (Ingrid Malbranc)
Barghello with Hardanger (Elba Rocco)
Cavandoli, macramé (Ludmila Islander)
tatting with needle (Nora Winter)

10.30 hs CHILDREN WORKSHOP

13.00 pm LUNCH BREAK AND
; Projection Video

14.30 pm WORKSHOPS
Tubular fabric in three layers (Velis and Bethlehem Delia Gomez)
tapestry twine Trama (Alejandra Deppe)
Plant Tapestry (Mary Ruggieri)
Yarn (Mariela Guerrrieri) Nuno Felt
(Maria de los Angeles Zarantonello)

14.30 pm WORKSHOP CHILDREN

15.00 hours Exhibition: Textiles
Video projection

18.00 hs AUDIOVISUAL TALK: "Winged Woven in Native Peoples: Textiles and sacred feathers" by Silvana Di Lorenzo.

SUNDAY

3:
9.30 am ASSEMBLY OF CRAFT FAIR


Textiles Exhibition 10.00 am WORKSHOPS (CONTINUED)
Kumihimo-Warps Staple -
Cavandoli , macramé - Hardanger- Barghello with
needle tatting

10.30 hs CHILDREN WORKSHOP

11.00 am Video Projection

13.00 pm LUNCH BREAK AND
Video Projection

14.30 pm WORKSHOPS (CONTINUED)
Tubular fabric in three layers - Trama twine tapestry - Tapestry
Plant - Spinning - Nuno Felt

14.30 pm WORKSHOP CHILDREN

15.00 hours Video Projection

18.00 pm Sharing Workshop

19.30 hs CLOSING AND DELIVERY OF CERTIFICATES

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MATERIALS SCHEDULE AND DESCRIPTION OF ART WORKSHOPS SEMINARS

Time Tomorrow (10 to 13 pm), Saturday and Sunday

Kumihimo (Prof. Mirta Bagnone)
The Kumihimo (Japanese braiding technique) was introduced in Japan in the 6th century by the Chinese. Used initially by the aristocracy and then by the samurai armor as ropes, after a period of decline, this technique re-emerges in the twentieth century and are currently used in traditional Kimono, finishing of garments, belts, cords for bags and bijoutirie. It is woven on a loom called Marudai and special rectangular or circular looms for Kumihimo.
Development: History, Learning to use the disk to Kumihimo. Making Plaits round, round and incorporating padded wooden beads and beaded round. Using rectangular loom. Flat braids and zigzag. Marudai. Theory and practice round braids
Materials: 5 rolls of rat tail (1 yellow, 1 black and 3 color choices), 1 m crochetina (any color), 2 weights (nuts bolts or similar) , 2 Tanz 0.60 cm., each threaded with 20 cm., of mostacillones), 2 wooden beads No. 14 or 16 and No. 20. Centimeter or scissors and ruler. OPTION KIT: $ 20

Warps Staple (Prof. Ingrid Malbranc)
Technical appears in the Andean Middle Horizon and currently applies Pitumarca in Cuzco
is a tissue of two elements in which the warp does not traverse the entire length d and the fabric continuously as usually happens, but it changes color as links to other fabric of another color. The frames also work intermittently thus achieving full-color forms. Development: This seminar will draw up a little web of simple geometric patterns using two or three contrasting colors.

Materials: frame 50 x 50 cm. approx., scissors. Other materials included

Cavandoli, Macramé (Prof. Ludmila Islander)

The thread or cord fabric woven with more or less complex knots called Macramé. Is done by hand and used to create crafts from very small to very large, such as potting media, belts, bracelets, necklaces, bags, lamps and curtains. Cavandoli
The Macramé belongs to, and is to work a single node (the scallop ) changing colors for different designs and shapes . With it you can do from geometric designs to curves.
Development: Making a medallion with geometric designs and a flower. History, calculus and mounted thread designs.
Materials: waxed cord three coils of different colors, scissors, lighter or matches, masking tape, work support (can be press table, wood with nails, tergopol with pins, rack, etc.).




H ardanger with Barghello (Prof. Elba B Rocco)
traditional embroidery techniques
Development. Barghello, Hardanger. Making a table runner that is between rustic and delicate.
Materials: a meter of burlap combed the color you want and 3 macramé yarn colors combined with the fabric. Blunt needle No. 18 or 20. finite-tipped scissors. KIT: $ 25

Needle tatting (Prof. Nora Winter) The variety is tatted lace. It is found under the name of "fit to the shuttle" in Spain, "tatting" in Great Britain, "occhi" in Italy and "makuk" in the East. Technically a series of knots and baguillas on a single thread, threaded on one or two shuttles. The proposal of this seminar is to use a needle instead of thread out of the shuttle or shuttle to simplify certain movements and allow greater ease of development.
can perform different types of lace to the ends of different items and objects. Is currently recovering its use for applications in jewelry.
Development: Making a tatted piece
Materials: rhinestones needle No 12 cotton thread.

Afternoon Shift (from 14.30 to 17.30 pm), Saturday and Sunday
Tapestry Plant (Prof. Mary Ruggieri) The proposal is leave it to our creative power. This is not a traditional tapestry, but to let the elements are "ordered" from our suggestions and agreed to go with that building this tapestry unconventional basically done with plant material that you can add other elements such as wool, threads, etc..
Development: From various branches and we will be putting together a simple bonds is previous structure that will serve as the basis for the tissue. The design will individual participant. The idea is to leave to our creative side and free to play with the imagination and the material available. Try to go in this game guiding them.
Materials: The cost of the plant material is $ 15. If you want you can take a branch in particular that they are willing to include in the work, like wool or wire or other element that serves to the tissue.

Tubular fabric in three layers (Prof. Delia Gomez Velis and Bethlehem)
tubular fabric is known as a double cloth, in this case we will see in three layers. It is a technical reference for Lequan, Cochabamba, Bolivia. It works in face warp, which alternate three groups of warps of different colors that are shown or hidden according to the drawing, making a double fabric is indispensabl
and have knowledge of tubular tissue
Development: Making a belt design in three colors. Reading Materials
Grid: Frame boy, weave wire macramé or similar in the following sequence: [A B 1 1 1 C 2 A B C 2 2 ] 23 times. Heald place in each caring for the warping order, being placed six systems Heald. A shuttle with color, shovel, 3 rods. Scissors

tapestry twine Trama (Prof. Alexandra Deppe)

The plot twist or twine is also known as "chain" or "Peruvian point." It is used in weaving fabrics to ensure the beginning and end of a cloth, baskets and special way to intertwine the fibers and textiles Creoles and conducting ethnographic peleros and tapestries. For failing to Heald or shed some technical specialists refer to as the Pretzel and is easy to perform. In Argentina dominated the tapestries made this technique in the province of Formosa and are made by women Qom (Toba) in wool. There is also work in fiber Wichí chaguar by women but are less abundant than those of wool. The idea of \u200b\u200bthe workshop is to "draw" with this technique some simple designs as an introduction to the mat and face frame techniques. Development: Making a tapestry fabric twine
Materials: rectangular frame of any size, without nails. Bring plotted with no cross or circular warp heddles semigorda wool (cashmilon or sheep) and several skeins of colored wool semigorda of 50 gr.





Spindle and Distaff Spun (Prof. Mario Guerrieri)
yarn involves gathering and tying loose strands of material, so as to form continuous filament with torsion and thickness suitable for obtaining the desired strength and elasticity. The yarn is crafted with the spindle and the distaff, which was a rod in which a portion was fixed (called snowflake) of the fiber that would be spun fleece

Recognition, Cleaning and preparation of the fleece, carded , prehilado, Spun S and Z, spinning from one end, two-ply yarn, yarn unconventional mixtures
Development: Making spinning of a cape, two ply yarn, spindle and spinning wheel, yarn unconventional mixtures
Materials: $ 10 (fleece, spindle, distaff)

Nuno Felt (Prof. Maria de los Angeles Zarantonello)
Nuno Felt is a technique that involves the inclusion of fleece in a tissue, preferably you natural fibers, gauze, silk, linen, etc.
are achieved thus different effects, textures and designs to be applied to clothing or decoration.
Development: work on different tissues: Borders, fringes, inclusions.
Making a cotton gauze scarf with fleece colors.
Materials: $ 25. (Gauze, merino fleece, natural and colors, threads, etc.).

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SIMPLE.

READ WELL BEFORE START.

MATERIAL USED FOR THE ANGEL THAT SIMPLE.

This is a list of all known materials and are almost always used:

- Scissors, needle, pins, thread to machine, thimble, fill, coarse linen thread, stuffing.
This is another list of tools.
- A fine hook, a soft pencil or pen with water, a needle wool, a long thin screwdriver, acrylic paints in black and white, red pencil.
Fabrics:
- Solid color patch meat and a piece of canvas paintings.

Note: The Angel Easy is smaller, is 90% of the original.


BEGIN:


1 - With a soft pencil or pen to copy the outline of the water pattern on a layer of fabric. It copies only the outline. The opening to turn the piece is located across the base, remember that this part does not sew. Nor is sewn openings to put the arms on both sides. We cut the pattern to give the neck a little taller and not pull the piece by that party to give back.



2 - Next must copy the outline and facial features in another layer of fabric. We recommend using a marker of water for this operation.



3 - We'll match the two pieces that just drew., Pay attention to that part of the head to match very well. When you are done with pins to make sure it does not move and put the padding back to the sandwich.



4 - Before we can remove the pins to baste it is easier to sew the machining contour. We have placed the pickets to be given after cutting the outline right in the neck (see photo).

5 - This will be the angel's body once it has cut the margin, the extra padding and pickets have been involved.

6 - The arms and feet "Angel Easy" are made with sticks and then glued with hot glue to attach them to the web, but we thought that the doll would be more elegant with cloth arms and legs (ie leave it to your choice).
arms and legs are exactly like the tail of the first figure you have done: the strawberry.
Cut a long strip of flesh-colored solid of about 2.5 -3 cm wide by 25-30 cm long and is divided into 4 pieces more or less equal. In the line that forms a semicircle Do the division as shown in the photo and then coséis machine along the lines you have painted. Bias tape tour is necessary to turn the tube so narrow.


7 - These are the arms and legs cut off and flipped once, the next step is to fill them with a screwdriver, very little, without going to the landfill on the edge and getting very little filler in time.

These are the arms once filled.


8 - This is the doll with arms and legs. The legs have to position them at the base of the trunk, basting the fabric to fix them later one stitched by machine.
arms get into the holes in the body that have been without stitches and fastened with hand-made stitches.

9 - With a triple-0 and brush with white acrylic paint eyeballs, with the same brush red painted mouth. Let dry.


... then paint the iris y. ..


... the upper eyelid. The white dot will light in the eye.

10 - Now with taupe DMC thread and using a work out your nose. If you can not remember how to sew check the entry "An Angel Face."
remember to clean the pen with water and allow to dry the fabric before applying blush.


11 - To end the face apply blush.


12 - copy the outline of the pattern dressed in a gingham plaid fabric or similar. Copies of two layers of fabric and leave an opening in the part that corresponds to the neck. We have made the opening a little larger than the original, as seen in the photo.

13 - This is the dress ready to flip, with pickets made the armholes and the mouth-sleeve, low neck without sewing.


14 - Dress flipped and three red beads sewn on the front. Between the second and third beads more space because they will have to put a belt.

15 - Once dressed the doll will make a small stitch on the cuffs, pull the yarn to knit and topped the thread.


16 - The angel dress will be closed in all its base by a small stitch. Stick a little padding before sewing the bottom to the dress is a bit inflated. By giving the stitching catch the under clothing and legs simultaneously.


The base of the dress will be closed as shown in the photo.


17 - To make the wings we used the cardboard from a box of Christmas cakes and the pattern we have used to make the Christmas Angel.

18 - It copies the shape of the wing pattern of the carton upside down and mark the two center holes.

19 - Trim just the pencil line and drill the two holes with a needle wool.

20 - The wings are attached to the angel's back by a few stitches in the holes made earlier. Top well.



21 - Finally the hair is tied in the points indicated with a marker of water. The angel has long hair.


The original figure has a artificial pine branches subject to the waist loop, we have opted for a natural branches to take the picture.